Cave with Waterfall

38,9 x 48,3 cm

Oil on canvas

During his trip to Italy in 1774, Wright of Derby made several excursions around Naples. Two black chalk drawings sold at Christie’s in London on 5 June 2007 (lot. 31) appear to have been made at the Emerald Grotto, not far from Amalfi. The different entrances depicted in the two sketches suggest that he visited both the Emerald Grotto and that of Suppraino. These two drawings are the starting point for a whole series of works, which explore contrasting light at different times of day.

Also in 1774 whilst still in Italy, Wright of Derby painted two cave scenes for Thomas Hallett Hodges: one, a nocturnal setting, preserved at the Smith College Museum of Art, Massachusetts (SC 1950.16), and one that was part of the Askew collection. Two other versions, sold to the artist Joshua Cockshutt and exhibited at London’s Royal Academy in 1778 and 1780 respectively, are considered his most important diptych of paintings on the theme: “A cave on the sea in the Kingdom of Naples, with bandits: Sunset” is today preserved at the Museum of Fine Arts in Boston (1990.95), and “A cave with the figure of Julia exiled by Augustus”, is in a private collection. Further paintings dedicated to this theme were made after 1780: another ‘night view’ is in the Derby Museum (2001 – 72), another ‘sunset’ in the Yale Center for British Art (B1981.25.710). One ‘with the figure of Julia’, sold at Christie’s in London on 25 January 2023 (lot 65) and a further view of the same cave sold at Christie’s in London on 22 November 2006 (lot 56).

The painting atPalazzo Butera, dated 1777, differs significantly from the others in that it is the only painting in the series that represents the interior of the cave. It has also been suggested that Wright of Derby reused features from other places visited: the waterfall in the background may derive from his depictions of Tivoli and the Terni waterfalls.

The trip to Italy had a lasting impact on the artist’s career. Prior to this experience, Wright of Derby had made few landscapes. After the trip, Italian landscapes become recurrent in his work. Wright would never return to Italy, but the drawings made during his stay remained a continuous source of inspiration.